VISUALISE
A Testimonial
I had the pleasure of working with Visualise on the development of our online virtual factory tour, and we couldn’t be happier with the results. From the very beginning, their team demonstrated a deep understanding of our vision and translated it into an engaging and highly interactive experience that helps to communicate the messages of our brand and captivate our audience.
Overall Visualise are also exceptionally accommodating, easy to work with and tackle every challenge and curve ball thrown at them with enthusiasm and commitment. They always push us to make the experience better and their professionalism and dedication to delivering a top-tier product has no doubt ensured the project’s success.
Their creativity, technical expertise, and customer-first approach made them an invaluable partner.
Bentley Motors – Cherry Steele
A Testimonial
We worked with Visualise on an ambitious project – an immersive experience across three cities – and they delivered flawlessly! The team is not only incredibly creative and talented but also very professional. They go the extra mile to make sure everything is perfect. Plus, they’re a pleasure to work with on location! Highly recommend Visualise if you want a top-notch VR experience.
We’ve worked with Visualise since 2019 on multiple projects and they are total class. The team are easy going and work tirelessly to ensure you achieve your desired outcome. They go that extra mile so your production is something to remember.
Jonathan Wells – European Bank for Reconstruction and Development (EBRD)
Octopus Energy Immersive Wind Turbines
Experiences that Transport you to Octopus Energy's Current and Future Wind Turbines
“Visualise have been a valuable innovation partner, unlocking powerful new ways to visualise, convey, and promote clean energy tech. They're a great, agile team - open to tackling any challenge.”
Max Grisley - Innovation, Octopus Energy Generation
Mission Rabies – VR Film – Worldwide Veterinary Service
A 360° journey into Malawi’s fight against rabies
“Our experience in partnering with Visualise in Malawi was exceptional from start to finish. They were not only superb to work with - reliable, agile, and great company - but they also delivered outcomes beyond what we’d hoped for. They repeatedly went the extra mile to support the charity and worked exceptionally hard to ensure we had a fantastic product at the end. I recommend Visualise without hesitation.”
Luke Gamble, Founder & CEO - WVS
Travel Nevada – Space Out – VR Travel Experience
“When working with Visualise, it was clear that they don't just fully get the tech, but they grasp the creative craft that makes immersion work. Almost as important was that they were patient and enthusiastic partners who love what they do.”
Ross Cairns, Creative Director - NRG
Louis Vuitton – Zoooom With Friends in AR
Augmented Reality Building Take Over - Vendôme, Paris
“One of the most groundbreaking pieces of AR in fashion to date. Working with the Louis Vuitton creative team we brought the characters from Virgil Abloh's last campaign in to reality, allowing them to perform on the Vendome maison in Paris. ”
Henry Stuart, CEO
St John Ambulance Seconds to Save VR Experience
St John's Ambulance VR launch to teach stabbing first aid
“Out of a choice of a multitude of immersive tech companies Visualise shone through with their excellence. Their staff held our hands through the technical processes, making working with them and the new tech a pleasurable. Their prowess around visual storytelling is unassailable, allied with their use of the latest 360 camera tech gave us an exemplary VR product for our target audiences.”
L. Williamson Development Lead - St John Ambulance
A Testimonial
We had the pleasure of Collaborating with Visualise on an exciting project for Turkish Airlines. During our partnership, we worked together on the production of an interactive, playable billboard that showcased the innovative spirit of Turkish Airlines. Throughout the project, the team at Visualise demonstrated a high level of professionalism, creativity, and dynamism.
Their ability to bring our vision to life was impressive, and their collaborative approach made the entire process enjoyable and efficient. It has truly been a pleasure to work with Visualise, and I am looking forward to creating more immersive content with them in the near future. I wholeheartedly recommend their services to any organization seeking a creative and dedicated partner.
Batuhan Erguven, Turkish Airlines
FAQs
What does Visualise do?
Visualise is a London-based immersive content studio. We produce virtual reality, augmented reality, 360° video, spatial computing and interactive web experiences for international brands and agencies.
We've been producing immersive content since 2011, with over 250 projects delivered, and we work end to end: concept, production, post-production, deployment, and support once it's live.
How much does a VR or AR project cost?
It depends mostly on three things: how many shoot days you need, how much CG or interactivity sits on top of the footage, and whether hardware and staff are needed on site.
As a guide, excluding VAT:
- 360° film — £10,000 to £100,000
- WebAR — £15,000 to £85,000, or nearer £100,000 for a full-scale native app campaign
- VR apps and virtual tours — £25,000 to £70,000
- Templated 360° player, your existing film in a headset under your branding — from £4,850
- Large-scale installations and attractions — from £100,000
The 360° range is wide for a good reason: a documentary-style shoot in a real place with real people sits at the bottom, while scripted work with art direction, locations, creative development, actors and VFX sits at the top.
We quote non-profits at a 20% discount.
If you have a budget, tell us and we'll say what's achievable within it. If you don't, we'll usually quote two or three versions at different scales so you can see what the money buys.
How long does an immersive project take?
Typical end-to-end timelines:
- WebAR activation — seven to eleven weeks
- Single-location 360° film — five to nine weeks
- Interactive VR — eight to seventeen weeks
- International, multi-country production — fifteen to eighteen weeks
- Visitor attraction — six to nine months
The thing that surprises most people is the ratio. Post-production on immersive content typically runs five to twelve times the length of the shoot, per deliverable. A single shoot day producing one film becomes five to twelve days of stitching, grading, spatial audio and VFX. If that shoot is feeding several films, post multiplies accordingly.
The other honest answer is that the biggest cause of delay is rarely production, it's approval cycles. Projects with one named decision-maker and a fixed feedback window are the ones that hit their dates.
Which headsets and platforms do you build for?
We build and deliver for:
- Meta Quest 3 and Quest 3S
- Apple Vision Pro
- PICO 4 Ultra
- Browser-based WebXR and WebAR
- iOS and Android apps, and social AR platforms
- Projection domes, Igloo immersive rooms, LED walls and large-format installations
- YouTube and social, for 360° distribution
We're agnostic on hardware and we'll recommend based on the job. Apple Vision Pro for small numbers of important people. Quest 3 or PICO when you need throughput and minimal setup. Tethered when fidelity matters most, standalone when logistics do.
Do you work outside the UK?
Yes. We're based in London and we shoot and deliver internationally. We've filmed for the European Bank for Reconstruction and Development across multiple countries, for Worldwide Veterinary Service in Malawi, and for brands including Louis Vuitton in Paris and Coca-Cola in Times Square.
For some territories we now send a Visualise supervisor to direct and work with a local crew and local equipment, rather than shipping camera kit through customs. It's faster, cheaper and considerably less risky.
What makes Visualise different from other XR studios?
Three things.
- Depth of experience. We've been producing immersive content since 2011, and after 250-plus projects we usually know what will and won't work before you've spent anything.
- Our own cameras. Through our sister company Meta Camera we design and build the professional 360° camera systems we shoot on, now in their fourth generation. It means we're not limited by what's available off the shelf.
- We come from film. Our work is live-action and cinematic rather than fully computer-generated, which is why it tends to feel real rather than rendered.
